Prelude in G minor, P 410 (1:07) ; Ciacona in D major, P 40 (9:24) / Johann Pachelbel. Buy tickets for Johann Pachelbel concerts near you. A$ . Johann Pachelbel was born in 1653 in Nuremberg into a family of a tinsmith. Given the number of fugues he composed and the extraordinary variety of subjects he used, Pachelbel is regarded as one of the key composers in the evolution of the form. Edited by transcr. By 1677 he returned to Germany as the court organist at Eisench. Pachelbel received his general education at St. Lorenz high school, and in 1669, he enrolled at the university in Altdorf. March 3, 1706) was an acclaimed Baroque composer, organist and teacher who brought the south German organ tradition to its peak. Like all Baroque music that was produced in that era, Pachelbel's compositions were overly ornamented and often embellished. Johann Pachelbel 1653- 1706 HPI:71.73 Rank:72 Anton Webern 1883- 1945 HPI:71.71 Rank:73 Josquin des Prez 1450- 1521 HPI:71.68 Rank:74 Jules Massenet 1842- 1912 HPI:71.47 Rank:75 Dieterich Buxtehude 1637- 1707 HPI:71.39 Rank:76 Gabriel Faur 1845- 1924 HPI:71.31 Rank:77 Franz Lehr 1870- 1948 HPI:71.23 Rank:78 Contemporaries He received his primary education in St. Lorenz Hauptschule and the Auditorio Aegediano in Nuremberg, then on 29 June 1669, he became a student at the University of Altdorf, where he was also appointed organist of St. Lorenz church the same year. [12] With this document, Pachelbel left Eisenach on 18 May 1678. [21][n 7] The pieces are clearly not without French influence (but not so much as Buxtehude's) and are comparable in terms of style and technique to Froberger's suites. Johann Pachelbel died somewhat young, at the age of 52 in early March of 1706. The German composer and organist Johann Pachelbel (1653-1706) helped to introduce the south German organ style into central and north Germany. Four works of the latter type were published in Erfurt in 1683 under the title Musicalische Sterbens-Gedancken ("Musical Thoughts on Death"), which might refer to Pachelbel's first wife's death in the same year. Ricercare in C major is mostly in three voices and employing the same kind of writing with consecutive thirds as seen in Pachelbel's toccatas (see below). ", Pachelbel's Canon Rediscovery and rise to fame, Pachelbel's Canon Influence on popular music, historically-informed performance practice, The New Grove Dictionary of Music and Musicians, "Prisoners of Pachelbel: An Essay in Post-Canonic Musicology", "Pachelbel's Canon in D works surprisingly well as a pop-punk instrumental", "Canon in the 1990s: From Spiritualized to Coolio, Regurgitating Pachelbel's Canon", "Pop hits 'stealing ideas from classics'", 10.1093/gmo/9781561592630.article.6002278237, A list of Pachelbel's works with cross-references from Perreault's numbers to Tsukamoto, Welter and Bouchard and to selected editions, Pachelbel Street Archives of J.Pachelbel's Works, International Music Score Library Project, Faceted Application of Subject Terminology, https://en.wikipedia.org/w/index.php?title=Johann_Pachelbel&oldid=1113037452, Organists and composers in the South German tradition, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template without a link parameter, Pages containing links to subscription-only content, Short description is different from Wikidata, Pages using infobox person with multiple spouses, Wikipedia articles needing clarification from October 2021, Articles with unsourced statements from November 2018, Articles lacking reliable references from January 2018, Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License 3.0, Works by Pachelbel in MIDI and MP3 format at, This page was last edited on 29 September 2022, at 11:40. Pachelbel's influence was mostly limited to his pupils, most notably Johann Christoph Bach, Johann Heinrich Buttstett, Andreas Nicolaus Vetter, and two of Pachelbel's sons, Wilhelm Hieronymus and Charles Theodore. Its lasting popularity is a wonderful testament to Pachelbel's talent as a composer. Pachelbel, Johann. He composed a large body of. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue . Although he was a Lutheran, his works were influenced by Catholic music. Furthermore, no other Baroque composer used pedal point with such consistency in toccatas. FOR SALE! Johann Pachelbel is unfairly viewed as a one-work composer, that work being the popular, Canon in D major, for three violins and continuo. 6 has twelve. Local organists in Nuremberg and Erfurt knew Pachelbel's music and occasionally performed it, but the public and the majority of composers and performers did not pay much attention to Pachelbel and his contemporaries. Composer, musicologist and writer Johann Gottfried Walther is probably the most famous of the composers influenced by Pachelbel he is, in fact, referred to as the "second Pachelbel" in Mattheson's Grundlage einer Ehrenpforte.[26]. Our editors will review what youve submitted and determine whether to revise the article. This period of music came right after the Renaissance period and is divided into three categories: early, middle, and late. St. Stephen's was followed by positions throughout Germany: the Eisenach Court, where he met Johann Sebastian Bach's father; Erfurt, where he met Johann Sebastian's older brother Johann Christoph; Stuttgart; and Gotha. Johann Pachelbel. However, he did influence Johann Sebastian Bach indirectly; the young Johann Sebastian was tutored by his older brother Johann Christoph Bach, who studied with Pachelbel, but although J.S. SEP. 12. Only a few chamber music pieces by Pachelbel exist, although he might have composed many more, particularly while serving as court musician in Eisenach and Stuttgart. The Neumeister Collection and the so-called Weimar tablature of 1704 provide valuable information about Pachelbel's school, although they do not contain any pieces that can be confidently ascribed to him. It is dedicated to composers Ferdinand Tobias Richter (a friend from the Vienna years) and Dieterich Buxtehude. With the exception of the three double fugues (primi toni No. Johann Pachelbel (1653 - 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. In August 1684, Pachelbel married Judith Drommer. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a pla read more View all tracks The other four sonatas are reminiscent of French overtures. I would definitely recommend Study.com to my colleagues. "Wir glauben all an einen Gott" is a three-part setting with melodic ornamentation of the chorale melody, which Pachelbel employed very rarely. Pachelbel was also permitted to study music outside the Gymnasium. . The pieces explore a wide range of variation techniques. After meeting the father, Johann Ambrosius Bach, in Eisenach, Pachelbel began working as a music tutor for Ambrosius' son, Johann Christophe Bach. Several catalogues are used, by Antoine Bouchard (POP numbers, organ works only), Jean M. Perreault (P numbers, currently the most complete catalogue; organized alphabetically), Hideo Tsukamoto (T numbers, L for lost works; organized thematically) and Kathryn Jane Welter (PC numbers). They are characterized by consistent use of pedal point: for the most part, Pachelbel's toccatas consist of relatively fast passagework in both hands over sustained pedal notes. Johann Gottfried Walther famously described Pachelbel's vocal works as "more perfectly executed than anything before them". [4] Among his many siblings was an older brother, Johann Matthus (16441710), who served as Kantor in Feuchtwangen, near Nuremberg.[5]. Search our site. The polythematic C minor ricercar is the most popular and frequently performed and recorded. Charis has taught college music and has a master's degree in music composition. Johann Christian Bach (1640-1682), Pachelbel's landlord in Erfurt, died in 1682. Johann Pachelbel ( [johan paxlbl]; baptised September 1, 1653 - buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. This tragedy prompted the composition of a series of chorales (a harmonized version of a church hymn) called "Musical Thoughts of Death." LA SAINTE-CHAPELLE. You heard it at Cousin Leo's graduation, too. Other vocal music includes motets, arias and two masses. Many of Pachelbel's toccatas explore a single melodic motif, and later works are written in a simple style in which two voices interact over sustained pedal notes, and said interaction already much simpler than the virtuosic passages in earlier works sometimes resorts to consecutive thirds, sixths or tenths. They include both simple strophic and complex sectional pieces of varying degrees of complexity, some include sections for the chorus. His organ compositions show a knowledge of Italian forms derived from Girolamo Frescobaldi through Johann Jakob Froberger. Both Barbara and their only son died in October 1683 during a plague. Single piece. The eclectic musical style that he wrote in to enhance chorale music and chorale preludes granted Pachelbel with popularity. Contemporary custom was to bury the dead on the third or fourth post-mortem day; so, either 6 or 7 March 1706 is a likelier death date. [13] Pachelbel remained in Erfurt for 12 years and established his reputation as one of the leading German organ composers of the time during his stay. In June 1684, Pachelbel purchased the house (called Zur silbernen Tasche, now Junkersand 1) from Johann Christian's widow. Around 20 dance suites transmitted in a 1683 manuscript (now destroyed) were previously attributed to Pachelbel, but today his authorship is questioned for all but three suites, numbers 29, 32 and 33B in the Seiffert edition. His first wife and child died in 1683, and in 1684, Pachelbel married Judith Drommer and had seven children. Single piece. Currently, there is no standard numbering system for Pachelbel's works. He excelled in this area. 13. 4 has eight repeated notes, octavi toni No. Johann Pachelbel was an important composer and organist of the German Baroque period. The dance movements of the suites show traces of Italian (in the gigues of suites 2 and 6) and German (allemande appears in suites 1 and 2) influence, but the majority of the movements are clearly influenced by the French style. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque. . A German organist, important predecessor of Bach, and composer of organ, sacred vocal, and chamber music. Create an account to start this course today. The three ricercars Pachelbel composed, that are more akin to his fugues than to ricercars by Frescobaldi or Froberger, are perhaps more technically interesting. The exact date of Johann's birth is unknown, but since he was baptized on September 1, he may have been born in late August. For the discussion of the contract in question, see, The most extraordinary example of note repetition, however, is not found in Pachelbel's fugues but in his first setting of the, For a discussion of the suites' authorship, see Perreault's "An Essay on the Authorities" (in. Meanwhile, in Nuremberg, when the St. Sebaldus Church organist Georg Caspar Wecker (and his possible former teacher) died on 20 April 1695, the city authorities were so anxious to appoint Pachelbel (then a famous Nuremberger) to the position that they officially invited him to assume it without holding the usual job examination or inviting applications from prominent organists from lesser churches. He had a great influence on the composers who followed him. Johann Pachelbel | Office religieux | Stretta Music boutique de partitions en ligne. [clarification needed] Pachelbel's first published work, a set of chorale variations called Musicalische Sterbens-Gedancken ("Musical Thoughts on Death", Erfurt, 1683), was probably influenced by this event. Partie a 4 in G major features no figuration for the lower part, which means that it was not a basso continuo and that, as Jean M. Perreault writes, "this work may well count as the first true string quartet, at least within the Germanophone domain."[23]. Keyboard Instruments He. I feel like its a lifeline. He returned home having achieved great acclaim for his organ skills throughout German-speaking Europe. Johann Christian Bach (16401682), Pachelbel's landlord in Erfurt, died in 1682. After traveling to Vienna for work, Pachelbel went to Eisenhach, then Erfurt, then Stuggart, then Gotha, and then back to Nuremberg where he spent his final days. His keyboard works are supposed to have had a profound influence on J C Bach. Johann Pachelbel for PIANO - Free sheet music to download in PDF, MP3 & MIDI. As an artist producing music during the Baroque period, Johann Pachelbel composed over 500 pieces. That job was better, but, unfortunately, he lived there only two years before fleeing the French attacks of the War of the Grand Alliance. 1 September is the date in the. He was named after his father, and his mother's name was Anna Maria Mair. Number 29 has all four traditional movements, the other two authentic pieces only have three (no gigue), and the rest follow the classical model (Allemande, Courante, Sarabande, Gigue), sometimes updated with an extra movement (usually less developed[22]), a more modern dance such as a gavotte or a ballet. Less than a year after the death of his wife and child, Pachelbel married again to Judith Drommer. Pachelbel died in 1706 and was buried at St. Sebaldus. Composer: Johann Pachelbel. Each set follows the "aria and variations" model, arias numbered Aria prima through Aria sexta ("first" through "sixth"). His teacher was Kaspar (Caspar) Prentz, once a student of Johann Caspar Kerll. Harpsichord music. It is possible that they served to help singers establish pitch, or simply act as introductory pieces played before the beginning of the service. Franais. [n 6] Also, even a fugue with an ordinary subject can rely on strings of repeated notes, as it happens, for example, in magnificat fugue octavi toni No. Johann Pachelbel Johann Pachelbel was a German organist and one of the most important composers of the Baroque era due to his contributions to the chorale prelude and fugue. CURRENCY $ US Dollars British Pounds Euros. Robert Schultz. Pachelbel became godfather to Johann Ambrosius' daughter, Johanna Juditha, taught Johann Christoph Bach (16711721), Johann Sebastian's eldest brother, and lived in Johann Christian Bach's (16401682) house. Ch1T Hexachordum Apollinis (1699) - abbr. In 1699, he produced his important collection of six arias, Hexachordum Apollinis, for organ or harpsichord. 355 lessons, {{courseNav.course.topics.length}} chapters | Of the eleven extant motets, ten are scored for two four-part choruses. [31], "Pachelbel" redirects here. He was actually good friend with Johann Sebastian Bach's dad (The JS Bach we know and love was popular in the late Baroque period, and Pachelbel was a generation older). One of the last middle Baroque composers, Pachelbel did not have any considerable influence on most of the famous late Baroque composers, such as George Frideric Handel, Domenico Scarlatti or Georg Philipp Telemann. Musical composer, Johann Hans Pachelbel, was born in Nuremberg, Germany in 1653. Much of Pachelbel's liturgical organ music, particularly the chorale preludes, is relatively simple and written for manuals only: no pedal is required. [20] The system had been widely used since the 15th century but was gradually being replaced in this period by modern notation (sometimes called black notation).[20]. Long after Pachelbel's death, his influence carried him into the early 19th century and the 1970s with the help of former students like Andreas, Nicolaus, Johann Heinrich Buttstett, and his son, Charles Theodore Pachelbel. Updates? See johann pachelbel (1680) and james r. murry (1874) . Pachelbel's early music instruction was rendered by two teachers: Heinrich Schwemmer and George Kaspar Wecker. Baroque. About 20 toccatas by Pachelbel survive, including several brief pieces referred to as toccatinas in the Perreault catalogue. An example from Wenn mein Stndlein vorhanden ist: The piece begins with a chorale fugue (not shown here) that turns into a four-part chorale setting which starts at bar 35. Attended High School at St. Lorenz Studied General Education. One of their seven children would be the composer, organist, and harpsichordist Wilhelm Hieronymus Pachelberg, born 1686. Pachelbel's use of repercussion subjects and extensive repeated note passages may be regarded as another characteristic feature of his organ pieces. Minor alterations to the subject between the entries are observed in some of the fugues, and simple countersubjects occur several times. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. One of Pachelbel's many C major fugues on original themes, this short piece uses a subject with a pattern of repeated notes in a manner discussed above. All other trademarks and copyrights are the property of their respective owners. Extreme examples of note repetition in the subject are found in magnificat fugues: quarti toni No. He would serve for nearly 11 years in this post, producing his most famous vocal scores, as well as his great Magnificat fugues. Pachelbel was a German composer, organist, and teacher. This outstanding composer wrote more than 500 pieces of music throughout his lifetime, and many of them were large scale vocal compositions like motets, arias, and masses. Some of the fugues employ textures more suited for the harpsichord, particularly those with broken chord figuration. Chorale preludes constitute almost half of Pachelbel's surviving organ works, in part because of his Erfurt job duties which required him to compose chorale preludes on a regular basis. This article was most recently revised and updated by, https://www.britannica.com/biography/Johann-Pachelbel, Bach Cantatas Website - Biography of Johann Pachelbel, Johann Pachelbel - Student Encyclopedia (Ages 11 and up). The exact date of Johann's birth is unknown, but he was baptized on 1 September. He wrote more than two hundred pieces for the instrument, both liturgical and secular, and explored most of the genres that existed at the time. The Magnificat Fugues were all composed during Pachelbel's final years in Nuremberg. In addition to his organist duties, he taught organ lessons to young aspiring musicians. | {{course.flashcardSetCount}} Create an account to start this course today. In 1678, Bernhard II, Duke of Saxe-Jena, Johann Georg's brother, died and during the period of mourning court musicians were greatly curtailed. Works by Johann Pachelbel Volumes published by the composer Musicalische Sterbens-Gedancken (1683) - abbr. Unfortunately, much of his music was never brought to audiences because of this. johann pachelbel (baptised 1 September 1653 - buried 9 March 1706; also Pachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. Genres: baroque, classic, Classical, composers, instrumental. Pachelbel's other variation sets include a few arias and an arietta (a short aria) with variations and a few pieces designated as chorale variations. It was composed for the harpsichord and organ. Today, Pachelbel is best known. The ostinato bass is not necessarily repeated unaltered throughout the piece and is sometimes subjected to minor alterations and ornamentation. Born in Nuremberg, Germany Exact Day of Birth Unknown Baptized Sept. 1, 1653. Allemagne. This lesson will discuss his life and music. Composed by Johann Pachelbel (1653-1706). Through his close connections to the Bach family, his style influenced and enriched that of Johann Sebastian Bach. Biography. Pachelbel was born in August of 1653 and baptized on September 1. [11] However, Pachelbel spent only one year in Eisenach. The ensembles for which these works are scored are equally diverse: from the famous D major Magnificat setting written for a 4-part choir, 4 violas and basso continuo, to the Magnificat in C major scored for a five-part chorus, 4 trumpets, timpani, 2 violins, a single viola and two violas da gamba, bassoon, basso continuo and organ. Pachelbel studied music at Altdorf and Regensburg and held posts as organist in Vienna, Stuttgart, and other cities. Christophe learned the fundamentals of music and taught his younger brother, Sebastian, everything he learned from studying under Pachelbel. Basket 0 $ LANGUAGE; English (US) English (UK) Deutsch. Though Pachelbel created many beautiful chamber pieces, his most famous musical work is "Canon in D," sometimes called "Pachelbel's Canon." About Johann Pachelbel. Pachelbel was so skilled in discovering new ways to decorate the chorale tune that his preludes would inspire two great composer-organists, Dietrich Buxtehude and Johann Sebastian Bach. However, many of his students migrated from Germany to America and began influencing American church music. These pieces, along with Georg Bhm's works, may or may not have influenced Johann Sebastian Bach's early organ partitas. They had five sons and two daughters. See also Johann Mattheson's Pulpit Obituary of 1740, where Mattheson specifically addresses this claim and gives reasons as to why it is not true. He then traveled to Regensburg where he studied composition and organ with the prominent musician, Kaspar Prentz. In both Germany and Vienna, Pachelbel composed sacred songs for worship services. He even made an impact on the work of classical composer, Johann Sebastian Bach, as a result of teaching Sebastian's bother (Johann Christophe). Pachelbel's Canon, a piece of chamber music scored for three violins and basso continuo and originally paired with a gigue in the same key, experienced a surge in popularity during the 1970s. Sadly, two years later, Barbara and the couple's infant son died as a result of a horrible plague. Although most of them are brief, the subjects are extremely varied (see Example 1). [10] While there, he may have known or even taught Pachelbel, whose music shows traces of Kerll's style. Financial difficulties forced Pachelbel to leave the university after less than a year. Masterworks; Piano Solo. The six chaconnes, together with Buxtehude's ostinato organ works, represent a shift from the older chaconne style: they completely abandon the dance idiom, introduce contrapuntal density, employ miscellaneous chorale improvisation techniques, and, most importantly, give the bass line much thematic significance for the development of the piece. {{courseNav.course.mDynamicIntFields.lessonCount}} lessons . Only a . Finally, neither the Nuremberg nor the southern German organ tradition endorsed extensive use of pedals seen in the works by composers of the northern German school. Johann Pachelbel was considered to be one of the greatest German composers because of his stellar organ compositions. He served next as municipal organist at Gotha, from the fall of 1692 until April 1695. Genre heading Streaming audio. The quality of the organs Pachelbel used also played a role: south German instruments were not, as a rule, as complex and as versatile as the north German ones, and Pachelbel's organs must have only had around 15 to 25 stops on two manuals (compare to Buxtehude's Marienkirche instrument with 52 stops, 15 of them in the pedal). Johann Pachelbel: Hexachordum Apollinis und Arietta F-Dur, Ciacona C-Dur, Ciacona D-Dur (manualiter) - Johann Pachelbel. Pachelbel's chamber music is much less virtuosic than Biber's Mystery Sonatas or Buxtehude's Opus 1 and Opus 2 chamber sonatas. Viewed as a one-work composer, Pachelbel was an important figure, central in the development of keyboard and Protestant church music. Didn't Aunt Betsy have it played at her wedding? Another son, Carl Theodorus, emigrated to the Americas and held organist positions in Rhode Island and South Carolina. Johann Pachelbel (baptised 1 September 1653, Nuremberg, Germany - buried 9 March 1706, Nuremberg) was a German composer, organist, and teacher. Collection. In 1677, Pachelbel moved to Eisenach, where he found employment as court organist under Kapellmeister Daniel Eberlin (also a native of Nuremberg), in the employ of Johann Georg I, Duke of Saxe-Eisenach. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. Several renowned cosmopolitan composers worked there, many of them contributing to the exchange of musical traditions in Europe. Pachelbel's other chamber music includes an aria and variations (Aria con variazioni in A major) and four standalone suites scored for a string quartet or a typical French five-part string ensemble with 2 violins, 2 violas and a violone (the latter reinforces the basso continuo). Among the more significant materials are several manuscripts that were lost before and during World War II but partially available as microfilms of the Winterthur collection, a two-volume manuscript currently in possession of the Oxford Bodleian Library which is a major source for Pachelbel's late work, and the first part of the Tabulaturbuch (1692, currently at the Biblioteka Jagielloska in Krakw) compiled by Pachelbel's pupil Johann Valentin Eckelt[ca], which includes the only known Pachelbel autographs). The musical education of Johann Pachelbel began in his childhood. Pachelbel spent five years in Vienna, absorbing the music of Catholic composers from southern Germany and Italy. Perhaps in a twisted turn of fate, Johann Hans Pachelbel died in March of 1706 as a result of the plague, similar to his first wife and son. Although it is not known whether or not Pachelbel actually met the phenomenal Johann Sebastian Bach, it is clear that Pachelbel had a connection to the Bach family and greatly influenced the work of this composer. March 3, 1706) was an acclaimed Baroque composer, organist and teacher who brought the south German organ tradition to its peak. His skill, persistence, and dedication to honing his craft made him the greatest organ-player of his time. This means that Pachelbel may have used his own tuning system, of which little is known. In the early 19th century, and later in the 1970s, his popularity increased with a revival of the Pachelbel sound of music. The F-sharp minor ricercar uses the same concept and is slightly more interesting musically: the key of F-sharp minor requires a more flexible tuning than the standard meantone temperament of the Baroque era and was therefore rarely used by contemporary composers. [a] Both movements are in the key of D major. By: Patricia Waleske. Of these, "Nun lob, mein Seel, den Herren" is based on the hymn by Johann Gramann, a paraphrase of Psalm 103; it is one of the very few Pachelbel chorales with cantus firmus in the tenor. Johann Pachelbel is unfairly viewed as a one-work composer, that work being the popular, Canon in D major, for three violins and continuo. The D major, D minor and F minor chaconnes are among Pachelbel's best-known organ pieces, and the latter is often cited as his best organ work. In addition to composing and serving as organist, Pachelbel led a busy family life. Pachelbel initially accepted the invitation but, as a surviving letter indicates, had to reject the offer after a long series of negotiations: it appears that he was required to consult with Erfurt's elders and church authorities before considering any job offers. In his organ music he also cultivated the non-liturgical genres of toccata, prelude, ricercare, fantasia, fugue and ciaccona (chaconne). Pachelbel wrote numerous chorales using this model ("Auf meinen lieben Gott", "Ach wie elend ist unsre Zeit", "Wenn mein Stndlein vorhanden ist", etc. Pachelbel was also a gifted organist and harpsichordist. A distinctive feature of almost all of Pachelbel's chorale preludes is his treatment of the melody: the cantus firmus features virtually no figuration or ornamentation of any kind, always presented in the plainest possible way in one of the outer voices. Omissions? Baroque. The Magnificat settings, most composed during Pachelbel's late Nuremberg years, are influenced by the Italian-Viennese style and distinguish themselves from their antecedents by treating the canticle in a variety of ways and stepping away from text-dependent composition. JOHANN PACHELBEL PACHELBEL: The Complete Organ Works - Volume 1 (CD) Album - $25.95. Zur silbernen Tasche, now Junkersand 1 ) on 18 may 1678 anything before ''. 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